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Riviera ligure, Repubblica italiana

The Italian Riviera, or Ligurian Riviera (Italian Riviera ligure) is the narrow coastal strip which lies between the Ligurian Sea and the mountain chain formed by the Maritime Alps and the Apennines. Longitudinally it extends from the border withFrance and the French Riviera (or Côte d'Azur) near Ventimiglia (a former customs post) to Capo Corvo (also known as Punta Bianca) which marks the eastern end of the Gulf of La Spezia and is close to the border with Tuscany. The Italian Riviera thus includes nearly all of the coastline of Liguria. (Historically it extended further to the west, through what is now French territory as far as Monaco.)

Overview

The Riviera's centre is Genoa, which divides it into two main sections: the Riviera di Ponente (“the coast of the setting sun”), extending westwards from Genoa to the French border; and the Riviera di Levante (“the coast of the rising sun”) between Genoa and Capo Corvo.

It is famous for its particularly mild climate which, together with the charm of its old fishing ports and the beauty of its landscape, has made it a popular destination for travellers and tourists since the time of Byron and Shelley.

Many villages and towns in the area are internationally known, such as Portofino, Bordighera, Lerici, and the Cinque Terre.

The part of the Riviera di Ponente centred on Savona, is called the "Riviera delle Palme" (the Riviera of palms); the part centered on Sanremo, is the "Riviera dei Fiori", after the long-established flower growing industry.

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Venezia, Repubblica Italiana

Venice (Italian: Venezia ) is a city in northeast Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region. In 2009, there were 270,098 people residing in Venice's comune (the population estimate of 272,000 inhabitants includes the population of the whole Comune of Venezia; around 60,000 in the historic city of Venice (Centro storico); 176,000 in Terraferma (the Mainland), mostly in the large frazioni of Mestre andMarghera; 31,000 live on other islands in the lagoon). Together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE) (population 1,600,000).

The name is derived from the ancient Veneti people who inhabited the region by the 10th century B.C. The city historically was the capital of the Venetian Republic. Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Masks", "City of Bridges", "The Floating City", and "City of Canals". Luigi Barzini described it in The New York Times as "undoubtedly the most beautiful city built by man". Venice has also been described by the Times Online as being one of Europe's most romantic cities.

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy. The saltwater lagoon stretches along the shoreline between the mouths of the Po (south) and the Piave (north) Rivers.

The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain, and spice) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.

History

Origins

While there are no historical records that deal directly with the obscure and peripheral origins of Venice, tradition and the available evidence have led several historians to agree that the original population of Venice consisted of refugees from Roman cities near Venice such as Padua, Aquileia, Treviso, Altino and Concordia (modern Portogruaro) and from the undefended countryside, who were fleeing successive waves of Germanic and Hun invasions. Some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae ("lagoon dwellers"). The traditional founding is identified with the dedication of the first church, that of San Giacomo at the islet of Rialto (Rivoalto, "High Shore"), which is said to have been at the stroke of noon on 25 March 421.

The last and most enduring immigration into the north of the Italian peninsula was that of the Lombards in 568, leaving the Eastern Roman Empire a small strip of coast in the current Veneto, and the main administrative and religious entities were therefore transferred to this remaining dominion, centered upon the Exarchate of Ravenna, the local representative of the Emperor in the East. The Venetian tradition of the islanders' aid to Belisarius was reported in early histories to explain the largely theoretical link to Ravenna, and to the Eastern Emperor. New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, dated from c. 568.

The Venetians offered asylum to the Exarch Paul, who was in flight from the Lombard Liutprand. Byzantine domination of central and northern Italy was subsequently largely eliminated by the conquest of the Exarchate of Ravenna in 751 by Aistulf. During this period, the seat of the local Byzantine governor (the "duke/dux", later "doge") was situated in Malamocco. Settlement on the islands in the lagoon probably increased in correspondence with the Lombard conquest of the Byzantine territories.

Sometime in the first decades of the eighth century, the people of the lagoon elected their first leader Ursus, who was confirmed by Byzantium and given the titles of hypatus and dux. He was the first historical Doge of Venice.

In 775/776, the episcopal seat of Olivolo (Helipolis) was created. During the reign of duke Agnello Particiaco (811–827) the ducal seat was moved from Malamocco to the highly protected Rialto, the current location of Venice. The monastery of St. Zachary and the first ducal palaceand basilica of St. Mark, as well as a walled defense (civitatis murus) between Olivolo and Rialto were subsequently built here. Winged lions, which may be seen throughout Venice, are a symbol for St. Mark.

Charlemagne was intially hostile to Venice and sought to subdue the city to his own rule. He ordered the Pope to expel the Venetians from thePentapolis along the Adriatic coast  and Charlemagne's own son Pepin of Italy, king of the Lombards under the authority of his father, embarked on a siege of Venice itself. This, however, proved a costly failure. The siege lasted six months, with Pepin's army ravaged by the diseases of the local swamps and eventually forced to withdraw. A few months later Pepin himself died, apparently as a result of a disease contracted there. In the aftermath, an agreement between Charlemagne and Nicephorus recognized Venice as Byzantine territory and recognized the city's trading rights along the Adriatic coast.

In 828, the new city's prestige was raised by the acquisition of the claimed relics of St. Mark the Evangelist from Alexandria, which were placed in the new basilica. The patriarchal seat was also moved to Rialto. As the community continued to develop and as Byzantine power waned, it led to the growth of autonomy and eventual independence.

Expansion

rom the ninth to the twelfth century Venice developed into a city state (an Italian thalassocracy or Repubblica Marinara, the other three being Genoa, Pisa, and Amalfi). Its strategic position at the head of the Adriatic made Venetian naval and commercial power almost invulnerable. With the elimination of pirates along the Dalmatian coast, the city became a flourishing trade center between Western Europe and the rest of the world (especially the Byzantine Empire and the Islamic world). In the 12th century the foundations of Venice's power were laid: theVenetian Arsenal was under construction in 1104; the last autocratic doge, Vital II Michele, died in 1172.

The Republic of Venice seized a number of places on the eastern shores of the Adriatic before 1200, mostly for commercial reasons, because pirates based there were a menace to trade. The Doge already carried the titles of Duke of Dalmatia and Duke of Istria. Later mainland possessions, which extended across Lake Garda as far west as the Adda River, were known as the "Terraferma", and were acquired partly as a buffer against belligerent neighbours, partly to guarantee Alpine trade routes, and partly to ensure the supply of mainland wheat, on which the city depended. In building its maritime commercial empire, the Republic dominated the trade in salt, acquired control of most of the islands in the Aegean, including Cyprus and Crete, and became a major power-broker in the Near East. By the standards of the time, Venice's stewardship of its mainland territories was relatively enlightened and the citizens of such towns as Bergamo, Brescia and Verona rallied to the defence of Venetian sovereignty when it was threatened by invaders.

Venice remained closely associated with Constantinople, being twice granted trading privileges in the Eastern Roman Empire, through the so called Golden Bulls or 'chrysobulls' in return for aiding the Eastern Empire to resist Norman and Turkish incursions. In the first chrysobull Venice acknowledged its homage to the Empire but not in the second, reflecting the decline of Byzantium and the rise of Venice's power.

Venice became an imperial power following the Venetian-financed Fourth Crusade, which in 1204 seized and sacked Constantinople and established the Latin Empire. As a result of this conquest considerable Byzantine plunder was brought back to Venice. This plunder included the gilt bronze horses from the Hippodrome of Constantinople, which were originally placed above the entrance to St Mark's cathedral in Venice, although the originals have been replaced with replicas and the originals are now stored within the basilica. Following the fall of Constantinople the former Roman Empire was partitioned among the Latin crusaders and the Venetians. Venice subsequently carved out a sphere of influence in the Mediterranean known as the Duchy of the Archipelago, and seized Crete.

The seizure of Constantinople would ultimately prove as decisive a factor in ending the Byzantine Empire as the loss of the Anatolian themes after Manzikert. Though the Byzantines recovered control of the ravaged city a half century later, the Byzantine Empire was terminally weakened, and existed as a ghost of its old self until Sultan Mehmet The Conqueror took the city in 1453.

Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce. During this time, Venice's leading families vied with each other to build the grandest palaces and support the work of the greatest and most talented artists. The city was governed by the Great Council, which was made up of members of the noble families of Venice. The Great Council appointed all public officials and elected a Senate of 200 to 300 individuals. Since this group was too large for efficient administration, a Council of Ten (also called the Ducal Council or the Signoria), controlled much of the administration of the city. One member of the great council was elected "Doge", or duke, the ceremonial head of the city, who normally held the title until his death.

The Venetian governmental structure was similar in some ways to the republican system of ancient Rome, with an elected chief executive (the Doge), a senate-like assembly of nobles, and a mass of citizens with limited political power, who originally had the power to grant or withhold their approval of each newly elected Doge. Church and various private properties were tied to military service, though there was no knight tenurewithin the city itself. The Cavalieri di San Marco was the only order of chivalry ever instituted in Venice, and no citizen could accept or join a foreign order without the government's consent. Venice remained a republic throughout its independent period and politics and the military were kept separate, except when on occasion the Doge personally headed the military. War was regarded as a continuation of commerce by other means (hence, the city's early production of large numbers of mercenaries for service elsewhere, and later its reliance on foreign mercenaries when the ruling class was preoccupied with commerce).

The chief executive was the Doge, who theoretically held his elective office for life. In practice, several Doges were forced by pressure from their oligarchical peers to resign the office and retire into monastic seclusion when they were felt to have been discredited by perceived political failure.

Though the people of Venice generally remained orthodox Roman Catholics, the state of Venice was notable for its freedom from religious fanaticism and it enacted not a single execution for religious heresy during the Counter-Reformation. This apparent lack of zeal contributed to Venice's frequent conflicts with the Papacy. In this context, the writings of the Anglican Divine, William Bedell, are particularly illuminating. Venice was threatened with the interdict on a number of occasions and twice suffered its imposition. The second, most famous, occasion in 1606, by order of Pope Paul V.

Venetian ambassadors sent home still-extant secret reports of the politics and rumours of European courts, providing fascinating information to modern historians.

The newly invented German printing press spread rapidly throughout Europe in the fifteenth century, and Venice was quick to adopt it. By 1482 Venice was the printing capital of the world, and the leading printer was Aldus Manutius, who invented the concept of paperback books that could be carried in a saddlebag. His Aldine Editions included translations of nearly all the known Greek manuscripts of the era.

Decline

Venice's long decline started in the 15th century, when it first made an unsuccessful attempt to hold Thessalonica against the Ottomans (1423–1430). It also sent ships to help defend Constantinople against the besieging Turks (1453). After Constantinople fell to Sultan Mehmet II he declared war on Venice. The war lasted thirty years and cost Venice much of her eastern Mediterranean possessions. Next, Christopher Columbus discovered the New World. Then Portugal found a sea route to India, destroying Venice’s land route monopoly. France, England and Holland followed them. Venice’s oared galleys were at a disadvantage when it came to traversing the great oceans, and therefore Venice was left behind in the race for colonies.

The Black Death devastated Venice in 1348 and once again between 1575 and 1577. In three years the plague killed some 50,000 people. In 1630, the plague killed a third of Venice's 150,000 citizens. Venice began to lose its position as a center of international trade during the later part of the Renaissance as Portugal became Europe's principal intermediary in the trade with the East, striking at the very foundation of Venice's great wealth, while France and Spain fought for hegemony over Italy in the Italian Wars, marginalising its political influence. However, the Venetian empire was a major exporter of agricultural products and, until the mid-18th century, a significant manufacturing center.

Military and naval affairs

Historic map of Venice by Piri Reis

By 1303, crossbow practice had become compulsory in the city, with citizens training in groups. As weapons became more expensive and complex to operate, professional soldiers were assigned to help work merchant sailing ships and as rowers in galleys. The company of "Noble Bowmen" was recruited in the later 14th century from among the younger aristocracy and served aboard both war-galleys and as armed merchantmen, with the privilege of sharing the captain's cabin.

Though Venice was famous for its navy, its army was equally effective. In the 13th century, most Italian city states already were hiring mercenaries, but Venetian troops were still recruited from the lagoon, plus feudal levies from Dalmatia (the very famous Schiavoni orOltremarini) and Istria. In times of emergency, all males between seventeen and sixty years were registered and their weapons were surveyed, with those called to actually fight being organized into companies of twelve. The register of 1338 estimated that 30,000 Venetian men were capable of bearing arms; many of these were skilled crossbowmen. As in other Italian cities, aristocrats and other wealthy men werecavalrymen while the city's conscripts fought as infantry.

By 1450, more than 3,000 Venetian merchant ships were in operation. Most of these could be converted when necessary into either warships or transports. The government required each merchant ship to carry a specified number of weapons (mostly crossbows and javelins) and armour; merchant passengers were also expected to be armed and to fight when necessary. A reserve of some 25 (later 100) war-galleys was maintained in the Arsenal. Galley slaves did not exist in medieval Venice, the oarsmen coming from the city itself or from its possessions, especially Dalmatia. Those from the city were chosen by lot from each parish, their families being supported by the remainder of the parish while the rowers were away. Debtors generally worked off their obligations rowing the galleys. Rowing skills were encouraged through races and regattas.

Early in the 15th century, as new mainland territories were expanded, the first standing army was organized, consisting of condottieri on contract. In its alliance with Florence in 1426, Venice agreed to supply 8,000 cavalry and 3,000 infantry in time of war, and 3,000 and 1,000 in peacetime. Later in that century, uniforms were adopted that featured red-and-white stripes, and a system of honors and pensions developed. Throughout the 15th century, Venetian land forces were almost always on the offensive and were regarded as the most effective in Italy, largely because of the tradition of all classes carrying arms in defense of the city and official encouragement of general military training.

The command structure in the army was different from that of the fleet. By ancient law, no nobleman could command more than twenty-five men (to prevent the possibility of sedition by private armies), and while the position of Captain General was introduced in the mid-14th century, he still had to answer to a civilian panel of twenty Savi or "wise men". Not only was efficiency not degraded, this policy saved Venice from the military takeovers that other Italian city states so often experienced. A civilian commissioner (not unlike a commissar) accompanied each army to keep an eye on things, especially the mercenaries. The Venetian military tradition also was notably cautious; they were more interested in achieving success with a minimum expense of lives and money than in the pursuit of glory.

Modern age

A map of the sestiere of San Marco

The Republic lost independence when Napoleon Bonaparte conquered Venice on 12 May 1797 during the First Coalition. The French conqueror brought to an end the most fascinating century of its history: during the 18th century Venice became perhaps the most elegant and refined city in Europe, greatly influencing art, architecture and literature. Napoleon was seen as something of a liberator by the city's Jewish population, although it can be argued they had lived with fewer restrictions in Venice. He removed the gates of the Ghetto and ended the restrictions on when and where Jews could live and travel in the city.

Venice became Austrian territory when Napoleon signed the Treaty of Campo Formio on 12 October 1797. The Austrians took control of the city on 18 January 1798. It was taken from Austria by the Treaty of Pressburg in 1805 and became part of Napoleon's Kingdom of Italy, but was returned to Austria following Napoleon's defeat in 1814, when it became part of the Austrian-held Kingdom of Lombardy-Venetia. In 1848–1849 a revolt briefly reestablished the Venetian Republic under Daniele Manin. In 1866, following the Third Italian War of Independence, Venice, along with the rest of the Veneto, became part of the newly created Kingdom of Italy.

During the Second World War, the historic city was largely free from attack, the only aggressive effort of note being Operation Bowler, a precision strike on the German naval operations there in 1945. However the industrial areas in Mestre and Marghera and the railway lines to Padua, Trieste and Trento were repeatedly bombed. On 29 April 1945 New Zealand troops under Freyberg reached Venice and relieved the city and the mainland, which were already in partisan hands.

Foundations

The buildings of Venice are constructed on closely spaced wooden piles. Most of these piles are still intact after centuries of submersion. The foundations rest on the piles, and buildings of brick or stone sit above these footings. The piles penetrate a softer layer of sand and mud until they reach a much harder layer of compressed clay.

Submerged by water, in oxygen-poor conditions, wood does not decay as rapidly as on the surface. It is petrified as a result of the constant flow of mineral-rich water around and through it, so that it becomes a stone-like structure.

Most of these piles were made from trunks of alder trees, a wood noted for its water resistance. The alder came from the western-most part of today's Slovenia (resulting in the barren land of the Kras region), in two regions of Croatia, Lika and Gorski kotar (resulting in the barren slopes of Velebit) and south of Montenegro. Leonid Grigoriev has stated that Russian larch was imported to build some of Venice's foundations. Larch is also used in the production of Venice turpentine.

History

The city is often threatened by flood tides pushing in from the Adriatic between autumn and early spring. Six hundred years ago, Venetians protected themselves from land-based attacks by diverting all the major rivers flowing into the lagoon and thus preventing sediment from filling the area around the city. This created an ever-deeper lagoon environment.

In 1604, to defray the cost of flood relief Venice introduced what could be considered the first example of a 'stamp tax'. When the revenue fell short of expectations in 1608, Venice introduced paper with the superscription 'AQ' and imprinted instructions, which was to be used for 'letters to officials'. At first, this was to be a temporary tax, but it remained in effect until the fall of the Republic in 1797. Shortly after the introduction of the tax, Spain produced similar paper for general taxation purposes, and the practice spread to other countries.

During the 20th century, when many artesian wells were sunk into the periphery of the lagoon to draw water for local industry, Venice began to subside. It was realised that extraction of water from the aquifer was the cause. The sinking has slowed markedly since artesian wells were banned in the 1960s. However, the city is still threatened by more frequent low-level floods (called Acqua alta, "high water") that creep to a height of several centimetres over its quays, regularly following certain tides. In many old houses the former staircases used to unload goods are now flooded, rendering the former ground floor uninhabitable.

Some recent studies have suggested that the city is no longer sinking, but this is not yet certain; therefore, a state of alert has not been revoked. In May 2003 the Italian Prime Minister Silvio Berlusconi inaugurated the MOSE project (Modulo Sperimentale Elettromeccanico), an experimental model for evaluating the performance of hollow floatable gates; the idea is to fix a series of 78 hollow pontoons to the sea bed across the three entrances to the lagoon. When tides are predicted to rise above 110 centimetres, the pontoons will be filled with air, causing them to float and block the incoming water from the Adriatic Sea. This engineering work is due to be completed by 2014.

Geography

The city is divided into six areas or "sestiere". These are Cannaregio, San Polo, Dorsoduro (including theGiudecca and Isola Sacca Fisola), Santa Croce, San Marco (including San Giorgio Maggiore) and Castello(including San Pietro di Castello and Sant'Elena). Each sestiere was administered by a procurator and his staff.

These districts consist of parishes – initially seventy in 1033, but reduced under Napoleon and now numbering just thirty-eight. These parishes predate the sestieri, which were created in about 1170.

Other islands of the Venetian Lagoon do not form part of any of the sestieri, having historically enjoyed a considerable degree of autonomy.

Each sestiere has its own house numbering system. Each house has a unique number in the district, from one to several thousand, generally numbered from one corner of the area to another, but not usually in a readily understandable manner.

At the front of the Gondolas that work in the city there is a large piece of metal intended as a likeness of the Doge's hat. On this sit six notches pointing forwards and one pointing backwards. Each of these represent one of the Sestieri (the one that points backward represents the Giudecca).

Tourism

Piazza San Marco. Doge's Palace

Venice is one of the most important tourist destinations in the world, due to the city being one of the world's greatest and most beautiful cities of art. The city has an average of 50,000 tourists a day (2007 estimate). In 2006, it was the world's 28th most internationally visited city, with 2.927 million international arrivals that year.

The Ponte dei Sospiri, the "Bridge of Sighs".

A gondola and a gondolier in the Grand Canal.

Tourism has been a major sector of Venetian industry since the 18th century, when it was a major center for the Grand Tour, due to its beautiful cityscape, uniqueness, and rich musical and artistic cultural heritage. In the 19th century, it became a fashionable centre for the rich and famous, often staying or dining at luxury establishments such as the Danieli Hotel and the Caffè Florian. It continued being a fashionable city in vogue right into the early 20th century. In the 1980s, the Carnival of Venice was revived and the city has become a major centre of international conferences and festivals, such as the prestigious Venice Biennale and theVenice Film Festival, which attract visitors from all over the world for their theatrical, cultural, cinematic, artistic, and musical productions.

Today, there are numerous attractions in Venice, such as St Mark's Basilica, the Grand Canal, and the Piazza San Marco. The Lido di Venezia is also a popular international luxury destination, attracting thousands of actors, critics, celebrities, and mainly people in the cinematic industry. The city also relies heavily on the cruise business.

However, Venice's popularity as a major worldwide tourist destination has caused several problems, including the fact that the city can be very overcrowded at some points of the year. It is regarded by some as a tourist trap, and by others as a 'living museum'. The cruise ships that use the Giudecca Canal send a large wake toward the city, that slowly causes the city to sink. Unlike most other places in Western Europe, and the world, Venice has become widely known for its element of elegant decay. The competition for foreigners to buy homes in Venice has made prices rise so highly that numerous inhabitants are forced to move to more affordable areas of Veneto and Italy, the most notable being Mestre.

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IT-174320 446 - ая открытка

Country: Italy

Distance:  1,396 km

Travel time:  8 days

On postcard: Lake  of Varese

Varese Lake (Italian: Lago di Varese) is a lake of glacial origin in Lombardy, in the north of Italy. It has an area of 14.5 km², a medium depth of 11 meters, and a maximum depth of 23 meters.

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Città di Verona, Repubblica italiana

Verona (Italian pronunciation: [veˈroːna] ( listen); Venetian Verona (pron. Veròna); German Bern, Dietrichsbern or Welschbern) is a city in the Veneto, northern Italy, with approx. 265,000 inhabitants and one of the seven chef-lieus of the region. It is the second largest city municipality in the region and the third of North-Eastern Italy. The metropolitan area of Verona covers an area of 1,426 km2(550.58 sq mi) and has a population of 714,274 inhabitants. It is one of the main tourist destinations in northern Italy, owing to its artistic heritage, several annual fairs, shows, and operas, such as the lyrical season in the Arena, the ancient amphitheatre built by the Romans.

The city has been awarded world heritage site status by UNESCO because of its urban structure and architecture.

History

The precise details of Verona's early history remain a mystery. The origin of the name Verona is also unknown. One theory is it was a city of the Euganei, who were obliged to give it up to the Cenomani (550 BC). With the conquest of the Vaecame Roman (about 300 BC) Verona became a Roman colonia in 89 BC, and then a municipium in 49 BC; Verona had the franchise in 59.

The city became important because it was at the intersection of several roads. Stilicho defeated Alaric and his Visigoths here in 403. But, after Verona was conquered in (489 AD) the Gothic domination of Italy began; Theodoric built his palace there, and according to Irish legends that's what Verona was named after. It remained under the power of the Goths throughout the Gothic War (535–552), except for of a single day in 541, when the Armenian officer Artabazes made an entrance. The defections that took place among the Byzantine generals with regard to the booty made it possible for the Goths to regain possession of the city. In 552 Valerian vainly endeavoured to enter it, but only when they were fully overthrown, the Goths surrendered it.

In 569 it was taken by Alboin, King of the Lombards, in whose kingdom it was, in a sense, the second most important city. There, Alboin himself was killed by his own wife in 572. The dukes of Treviso often resided there. At Verona Adalgisus, son of Desiderius, in 774 made his last desperate resistance to Charlemagne, who had destroyed the Lombard kingdom. Verona was then the ordinary residence of the kings of Italy, the government of the city becoming hereditary in the family of Count Milo, progenitor of the counts ofSan Bonifacio. From 880 to 951 the two Berengarii resided there. Otto I ceded to Verona the marquisate dependent on the Duchy ofBavaria.

The splendour of the city in those days, dominated by its forty-eight towers, is described in a Latin ode we shall speak of later. The increasing wealth of the burgher families eclipsed the power of the counts, and in 1100 Verona organised itself as a commune. The San Bonifacio could at most hold the office of podestà of the city now and then. Verona, at first undecided, was forced by Vicenza to join the Lombard League. This, however, gave rise to the factions of Guelphs and Ghibellines in Verona. When Ezzelino IV was elected podestà, in 1226, he was able to convert the office into a permanent lordship, and in 1257 he caused the slaughter of 11,000Paduans on the plain of Verona (Campi di Verona). Upon his death the Great Council elected as podestà Mastino della Scala, and he converted the "signoria" into a family possession, though leaving the burghers a share in the government. Failing to be re-elected podestà in 1262, he effected a coup d'état, and was acclaimed capitano del popolo, with the command of the communal troops. It was not without long internal discord that he succeeded in establishing this new office, to which was attached the function of confirming the podestà. In 1272 Mastino was killed by the faction of the nobles.

The reign of his son Alberto as capitano (1277–1302) was one incessant war against the counts of San Bonifacio, who were aided by the House of Este. Of his sons, Bartolomeo, Alboino and Cangrande I, only the last shared the government (1308); he was great as warrior, prince, and patron of the arts; he protected Dante, Petrarch, and Giotto. By war or treaty he brought under his control the cities of Padua (1328), Treviso (1308) and Vicenza.

Alberto was succeeded by Mastino II (1329–1351) and Alberto, sons of Alboino. Mastino continued his uncle's policy, conqueringBrescia in 1332 and carrying his power beyond the Po. He purchased Parma (1335) and Lucca (1339). After the King of France, he was the richest prince of his time. But a powerful league was formed against him in 1337 – Florence, Venice, the Visconti, the Este, and the Gonzaga. After a three years war, the Scaliger dominions were reduced to Verona and Vicenza (Mastino's daughter Regina-Beatrice della Scala married to Barnabò Visconti). Mastino's son Cangrande II (1351–1359) was a cruel, dissolute, and suspicious tyrant; not trusting his own subjects, he surrounded himself with Brandenburg mercenaries. He was killed by his brother Cansignorio (1359–1375), who beautified the city with palaces, provided it with aqueducts and bridges, and founded the state treasury. He also killed his other brother, Paolo Alboino. Fratricide seems to have become a family custom, for Antonio (1375–87), Cansignorio's natural brother, slew his brother Bartolomeo, thereby arousing the indignation of the people, who deserted him when Gian Galeazzo Visconti of Milanmade war on him. Having exhausted all his resources, he fled from Verona at midnight (19 October 1387), thus putting an end to the Scaliger domination, which, however, survived in its monuments.

The year 1387 is also the year of the famous Battle of Castagnaro, between Giovanni Ordelaffi, for Verona, and John Hawkwood, forPadua, who was the winner.

Antonio's son Canfrancesco in vain attempted to recover Verona (1390).

Guglielmo (1404), natural son of Cangrande II, was more fortunate; with the support of the people, he drove out the Milanese, but he died ten days after, and Verona then submitted to Venice (1405). The last representatives of the Scaligeri lived at the imperial court and repeatedly attempted to recover Verona by the aid of popular risings.

From 1508 to 1517 the city was in the power of the Emperor Maximilian I. There were numerous outbreaks of the plague, and in 1629–33Italy was struck by its worst outbreak in modern times. In Verona an estimated 33,000 people (of a total of 54,000) died in 1630–1631.[2]

Verona was occupied by Napoleon in 1797, but on Easter Monday the populace rose and drove out the French. It was then that Napoleonmade an end of the Venetian Republic. Verona became Austrian territory when Napoleon signed the Treaty of Campo Formio in October, 1797. The Austrians took control of the city on January 18, 1798. It was taken from Austria by the Treaty of Pressburg in 1805 and became part of Napoleon's Kingdom of Italy, but was returned to Austria following Napoleon's defeat in 1814, when it became part of the Austrian-held Kingdom of Lombardy-Venetia. In 1866, following the Six Weeks War, Verona, along with the rest of Venetia, became part of Italy.

In 1866, on the anniversary of the defeat of Königrätz, the Austrians evacuated Verona, their strongest fortress in Venetia, which thus became Italian.

The advent of fascism added another dark chapter to the annals of Verona. As throughout Italy, the Jewish population was hit by the anti-Semitic laws (1938), and after the invasion byNazi Germany in 1943, deportations to Nazi concentration camps. An Austrian Fort (now a church, the Santuario della Madonna di Lourdes), was used to incarcerate and torture allied troops, Jews and anti-fascist suspects especially after 1943, when Verona became part of the Repubblica di Salò or "Social Republic".

As in Austrian times, Verona became of great strategic importance to the regime. Galeazzo Ciano, Benito Mussolini's son in law was accused of plotting against the republic during amock trial staged by the Nazi and fascist hierarchy in Castelvecchio. Ciano was executed on the banks of the Adige with many other officers on what is today Via Colombo. This marked another turning point in the escalation of violence that would only end with the final liberation by allied troops and partisans in 1945.

After World War II, as Italy entered into NATO, Verona acquired once again its strategic importance, due to its closeness to the iron curtain. The city became the seat of SETAF (South European Allied Terrestrial Forces) and had during the whole duration of the Cold War period a strong military presence, especially American, which is decreasing only in these recent years. Now Verona is an important and dynamic city, very active in terms of economy, and also a very important tourist attraction because of its history, where the Roman past lives side by side with the Middle Age Verona, which in some senses brings about its architectural and artistic motifs.

Mentions

The play Romeo and Juliet written by William Shakespeare was based in Verona. One of Shakespeare's early comedies was titled The Two Gentlemen of Verona. The play "Taming of the Shrew", also by Shakespeare, is based in Verona.

Main sights

Because of the value and importance of its many historical buildings, Verona has been named a UNESCO World Heritage Site. Verona preserved many ancient Roman monuments, no longer in use, in the early Middle Ages, but much of this and much of its early medieval edifices were destroyed or heavily damaged by the earthquake of 3 January 1117, which led to a massive Romanesque rebuilding. The Carolingian period Versus de Verona contains an important description of Verona in the early medieval era.

Roman edifices

Verona Arena

The Roman military settlement in what is now the centre of the city was to expand through the cardi and decumani that intersect at right angles. This structure has been kept to the present day and is clearly visible from the air. Further development has not reshaped the original map. Though the Roman city with its basalt-paved roads is mostly hidden from view it stands virtually intact about 6 m below the surface. Most palazzi and houses have cellars built on Roman artifacts that are rarely accessible to visitors. Piazza delle Erbe, near the Roman forum was rebuilt by Cangrande I and Cansignorio della Scala I, lords of Verona, using material (such as marble blocks and statues) from Roman spas and villas.

Verona is famous for its Roman amphitheatre, the Arena found in the city's largest piazza, the Piazza Bra. Completed around 30 AD, it is the third largest in Italy after Rome's Colosseum and the arena at Capua. It measures 139 metres long and 110 metres wide, and could seat some 25,000 spectators in its 44 tiers of marble seats. The ludi (shows and gladiator games) performed within its walls were so famous that they attracted spectators from far beyond the city. The current two-story façade is actually the internal support for the tiers; only a fragment of the original outer perimeter wall in white and pink limestone from Valpolicella, with three stories remains.The interior is very impressive and is virtually intact, and has remained in use even today for public events, fairs, theatre and open-aired opera during warm summer nights.

There is also a variety of other Roman monuments to be found in the town, such as the Roman theatre of Verona. This theatre was built in the 1st century BC, but through the ages had fallen in disuse and had been built upon to provide housing. In the 18th century Andrea Monga, a wealthy Veronese, bought all the houses that in time had been built over the theatre, demolished them, and saved the monument. Not far from it is the Ponte di Pietra ("Stone Wall Bridge"), another Roman landmark that has survived to this day.

 

Porta Borsari

The Arco dei Gavi (Gavi Arch) was built in the 1st century AD, and is famous for having the name of the builder (architect Lucius Vitruvius Cordone) engraved on it, a really rare case in the architecture of the epoque. It originally straddled the main Roman road into the city, now the Corso Cavour. It had been demolished by the French troops in 1805 and was rebuilt in 1932.

Nearby is the Porta Borsari, an archway at the end of Corso Porta Borsari. This is the façade of a 3rd century gate in the original Roman city walls. The inscription is dated 245 AD and gives the city name as Colonia Verona Augusta. Corso Porta Borsari, the road passing through the gate is the original Via Sacra of the Roman city. Today, it is lined with several Renaissance palazzi and the ancient Church of SS. Apostoli (left), a few metres from Piazza delle Erbe.

Porta Leoni is the 1st century BC ruin of what was once part of the Roman city gate. A substantial portion is still standing as part of the wall of a medieval building. The street itself is an open archaeological site, and the remains of the original Roman street and gateway foundations can be seen a few feet below the present street level. As can be seen from there, the gate contains a small court guarded by towers. Here, carriages and travelers were inspected before entering or leaving the city.

Medieval architecture

Piazza dei Signori.

 

San Zeno Basilica, like many other Veronese churches, is built with alternating layers of white stone and bricks.

 

The Ponte Scaligero, completed in 1356.

Statue of Dante Alighieri in Verona.

The Basilica of San Zeno Maggiore is considered one of the great achievements of Romanesque architecture . The present structure is the 3rd on this site, built from 1123–1135, over the 4th century shrine to Verona's patron saint, St. Zeno (died 380). The façade dominates the large square, and is flanked with a beautiful 72 metres tall bell tower, which is mentioned by Dante in Canto 18 of Purgatory in the Divine Comedy. The weathered Veronese stone gives a warm golden glow and the restrained lines of the pillars, columns, cornices and the gallery with its double windows give the façade an air of harmonious elegance. The huge rose window is decorated as aWheel of Fortune. The lintels above the portal have carvings of the months of the year. Each side of the doorway is embellished with 18 bas-relief panels of biblical scenes, and the inner bronze door has panels have 48 primitive but forceful Biblical scenes and depictions from the life of St Zeno. The meaning of some of the scenes is now unknown, but the extraordinarily vivid, barbaric energy of the figures is a superb blend of traditional and Ottonian influences. The interior of the church is divided into a Lower Church, occupying about 2/3 of the structure, and the Upper Church, occupying the remainder. The walls are covered with 12th and 14th century frescos and the ceiling of the nave is a magnificent example of a ship's keel ceiling. The vaulted crypt contains the tomb of St. Zeno, the first Bishop of Verona, as well as the tombs of several other saints. North of the church is a pleasant cloister. The church also houses the tomb of King Pippin of Italy (777–810).

Sant'Anastasia.

The small Romanesque Basilica of San Lorenzo is one of the finest and most important in the city. Its dates from around 1177, but is built on the site of a Paleochristian church, some fragments of which remain. The church is built of alternating tracks of brick and stone, and has two cylindrical towers, housing spiral staircases to the women's galleries. Inside, the atmosphere is rather severe, but is still quiet and peaceful. The striped bands of stone and brick and the graceful arches complement the setting.

With a span length of 48.70 m (159.78 ft), the 1356 completed segmental arch bridge Ponte Scaligero featured at the time the world's largest bridge arch.

Santa Maria Antica is a huge Romanesque church was the parish church of the Scaligeri clan, and is famous for the Gothic Scaliger Tombs. The Duomo is also a notable Romanesque church.

Sant'Anastasia is a huge and lofty church built from 1290–1481 by the Dominicans to hold the massive congregations attracted by their rousing fundamentalist sermons. The Pellegrini chapel houses the famous fresco St. George and the Princess of Trebizond by Pisanello as well as thegrave of Wilhelm von Bibra. The famous square also holds its art festival in May.

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Country: Italy

Distance: 1,515 km

Travel time:  8 days

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Country: Italy

Distance:  1,233 km

Travel time:  18 days

On postcard: Carnival of Venice

The Carnival of Venice (Italian: Carnevale di Venezia) is an annual festival, held in Venice, Italy. The Carnival starts 40 days before easter and ends on Shrove Tuesday (Fat Tuesday or Martedì Grasso), the day before Ash Wednesday.

History

Carnival started as a time for celebration and expression throughout the classes, as wearing masks hid any form of identity between social classes. During the 1970s, the Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 30,000 visitors come to Venice each day for Carnivals. One of the most important events is the contest for the best mask, placed at the last weekend of the Carnival. A jury of international costume and fashion designers votes for "La Maschera piu bella". Here are the first prize winners of the last years:

- 2011 : "La Famille Fabergé" by Horst Raack, shared with "Omaggio a Venezia" by Paolo and Cinzia Pagliasso and Anna Rotonai,also the first prize for the special category 19th century to Lea Luongsoredju and Roudi Verbaanderd from Belgium

- 2010 : "Pantegane" from Great Britain

- 2009 : "The Voyages of Marco Polo" by Horst Raack and Tanja Schulz-Hess from Germany

Venetian carnival masks

Masks have always been a central feature of the Venetian carnival; traditionally people were allowed to wear them between the festival of Santo Stefano (St. Stephen's Day, December 26) and the start of the carnival season and midnight of Shrove Tuesday. They have always been around Venice. As masks were also allowed on Ascension and from October 5 to Christmas, people could spend a large proportion of the year in disguise. Maskmakers (mascherari) enjoyed a special position in society, with their own laws and their own guild.

Venetian masks can be made in leather or with the original glass technique. The original masks were rather simple in design and decoration and often had a symbolic and practical function. Nowadays, most of them are made with the application of gesso and gold leaf and are all hand-painted using natural feathers and gems to decorate.

Bauta

Bauta (sometimes referred to as baùtta) is the whole face, with a stubborn chin line, no mouth, and lots of "gilding". One may find masks sold as Bautas that cover only the upper part of the face from the forehead to the nose and upper cheeks, thereby concealing identity but enabling the wearer to talk and eat or drink easily. It tends to be the main type of mask worn during the Carnival. It was used also on many other occasions as a device for hiding the wearer's identity and social status. It would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was thus useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.

In 18th century, the Bauta had become a standardized society mask and disguise regulated by the Venetian government. It was obligatory to wear it at certain political decision-making events when all citizens were required to act anonymously. Only citizens had the right to use the Bauta. Its role was similar to the anonymizing processes invented to guarantee general, direct, free, equal and secret ballots in modern democracies.

It was not allowed to wear weapons along with the mask, and police had the right to enforce this ruling.

Volto or Larva

The "Volto" was the more common mask used in Venice for centuries. Volto means "face", and it was the simplest mask to produce.

Mask-makers

The mascherari, or mask-makers had their own statute dated 10 April 1436. They belonged to the fringe of painters and were helped in their task by sign-painters who drew faces onto plaster in a range of different shapes and paying extreme attention to detail.

Venetian masks feature prominently in the film Eyes Wide Shut. In the film, the main character (played by Tom Cruise) infiltrates a masked ball where high ranking individuals engage in secret orgies and masonic rituals. Stores that supplied the masks include both Ca’ Macana and Il Canovaccio in Venice. The latter displays the original mask worn in the film by Tom Cruise on their website.

Cultural References

Carnevale is depicted in the 2009 video game Assassin's Creed II. The main character, Ezio Auditore, is assisted by the artist Leonardo da Vinci in hunting down and assassinating the corrupt Doge of Venice during Carnevale; a golden mask, which Ezio must obtain to enter a private party held by the Doge, plays a significant role in this part of the game.

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Country: Italy

Distance: 1,419 km

Travel time:  13 days

On postcard: Sanctuary of the Madonna di San Luca, Bologna

The Sanctuary of the Madonna of San Luca is a basilica church in Bologna, northern Italy, sited atop Colle or Monte della Guardia, in a forested hill some 300 metres above the plain, just south-west of the historical centre of the city.

While a road now leads up to the sanctuary, it is also possible to reach it by traversing a long (3.5 km) monumental roofed arcade (Portico di San Luca) consisting of 666 arches, which was built in 1674-1793. It was meant to protect the icon as it was paraded up the hill. A yearly procession proceed from the church of San Pietro in the centre of Bologna to the Sanctuary along this path. Originally the arches held icons or chapels erected by the patron family.

The Sanctuary was meant to house a miraculous icon of the virgin. A church or chapel existed atop the hill for about a thousand years. The present church was constructed in 1723 using designs of Carlo Francesco Dotti. The lateral external tribunes were built by Carlo Francesco's son Giovanni Giacomo using his father's plans. The centrally planned sanctuary has painted artworks byDomenico Pestrini, Donato Creti (2nd chapel on right); Guido Reni (Assumption in 3rd altar on right), Giuseppe Mazza in chapel of St. Anthony of Padua, Vittorio Bigari (frescoes), and Guercino (sacristy). Stucco works are by A. Borelli and G. Calegari and statues by A. Piò.

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Country: Italy

Distance: 2,040 km

Travel time:  12 days

On postcard: Sardinia

Sardinia is the second-largest island in the Mediterranean Sea (after Sicily and before Cyprus). It is an autonomous region of Italy, and the nearest land masses are (clockwise from north) theFrench island of Corsica, the Italian Peninsula, Sicily, Tunisia and the Spanish Balearic Islands.

The name Sardinia is from the pre-Roman noun *sard[], romanised as sardus (feminine sarda); that the name had a religious connotation is suggested from its use also as the adjective for the ancient Sardinian mythological hero-god Sardus Pater "Sardinian Father" (misunderstood by many modern Sardinians/Italians as being "Father Sardus"), as well as being the stem of the adjective "sardonic". Sardinia was called Ichnusa (the Latinised form of the Greek Hyknousa), Sandalion, Sardinia and Sardo by the ancient Greeks and the Romans.

Geography

Sardinia (in spanish and italian: Cerdeña) is the second largest island in the Mediterranean Sea. To the west of Sardinia is the Balearic Sea, a unit of the Mediterranean Sea; to Sardinia's east is the Tyrrhenian Sea, which is also an element of the Mediterranean Sea.

The coasts of Sardinia (1,849 km long) are generally high and rocky, with long, relatively straight stretches of coastline, many outstanding headlands, a few wide, deep bays, rias, many inlets and with various smaller islands off the coast.

The island has an ancient geoformation and, unlike Sicily and the mainland of Italy, is not earthquake-prone. Its rocks date from the Palaeozoic Era(up to 500 million years old). Due to long erosion processes the island's highlands, formed of granite, schist, trachyte, basalt (called "jaras" or "gollei"), sandstone and dolomite limestone (called tonneri or "heels"), average at between 300 to 1,000 metres. The highest peak is Punta La Marmora (1,834 m), part of the Gennargentu Ranges in the centre of the island. Other mountain chains are Monte Limbara (1,362 m) in the northeast, the Chain of Marghine and Goceano (1,259 m) running crosswise for 40 km (24.85 mi) towards the north, the Monte Albo (1057 metres), the Sette Fratelli Range in the southeast, and the Sulcis Mountains and the Monte Linas (1236 metres) in the southwest. The island's ranges and plateaux are separated by wide alluvial valleys and flatlands, the main ones being the Campidano in the southwest between Oristano and Cagliariand the Nurra in the northwest.

Sardinia has few major rivers, the largest being the Tirso, 151 km (93.83 mi) long, which flows into theSea of Sardinia, the Coghinas (115 km) and the Flumendosa (127 km). There are 54 artificial lakes and dams which supply water and electricity. The main ones are Lake Omodeo and Lake Coghinas. The only natural freshwater lake is Lago di Baratz. A number of large, shallow, salt-water lagoons and pools are located along the 1,850 km (1,149.54 mi) of the coastline.

The island has a typical Mediterranean climate. During the year there are approximately 300 days of sunshine, with a major concentration of rainfall in the winter and autumn, some heavy showers in the spring and snowfalls in the highlands. The average temperature is between 11 to 17 °C (52 to 63 °F). The Mistral from the northwest is the dominant wind on and off throughout the year, though it is most prevalent in winter and spring. It can blow quite strongly, but it is usually dry and cool and makes for a sailor's paradise.

Languages

The Sardinian language is widely spoken on the island, as well as Standard Italian, the national language of Italy. Sardinian is a distinct branch of the Romance language family, and not a dialect of Italian. The language has been influenced by Catalan, Spanish and indigenous Nuragic elements with some roots from Phoenician and Etruscan. While it has been significantly supplanted by Italian for official purposes, in 2006 the regional administration has approved the use of Limba Sarda Comuna in official documents. As a literary language, it is gaining importance, despite heated debate about the lack of standard orthography and controversial proposed solutions to this problem.

The two most widely spoken forms of the Sardinian languages are Campidanese spoken throughout the southern half of the island, and Logudorese (Logudoro), from the central region, extending almost to Sassari.

The Sassarese and Gallurese varieties are often termed Corso-Sardinian dialects. Spoken in the extreme north of Sardinia (shown as light and bright green on the map), they are sometimes considered as independent languages or to be part of the Corsican language rather than Sardinian.

Alguerès is a variant of the Catalan language spoken in the city of Alghero (shown as light blue on the map).

On the islands of San Pietro and Sant'Antioco, located in the south west of Sardinia, the local population speaks a variant of Ligurian calledTabarchìn (shown as pink on the map). Venetian and Friulian are spoken in Arborea and Fertilia. In Fertilia the Istriot language is spoken too.

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