Zadar, Republika Hrvatska

Zadar, Republika Hrvatska

Zadar  is a city in Croatia on the Adriatic Sea. It is the centre of Zadar county and the wider northern Dalmatianregion. Zadar is a historical center of Dalmatia as well as the seat of the Roman Catholic Archdiocese of Zadar.

Etymology and historical names

In antiquity, Iadera and Iader, the much older roots of the settlement's names were hidden, the names being most probably related to a hydrographical term. It was coined by an ancient Mediterranean people and their Pre-Indo-European language. They transmitted it to later settlers, the Liburnians. The name of the Liburnian settlement was first mentioned by a Greek inscription from Pharos (Stari grad) on the island of Hvar in 384 BC, where the citizens of Zadar were noted as Ίαδασινοί (Iadasinoi). According to the Greek source Periplus of Pseudo-Scylax the city was Ίδασσα (Idassa), probably a vulgar Greek form of the original Liburnian name.

During Antiquity the name was often recorded in sources in Latin in two forms: Iader in the inscriptions and in the writings of classic writers, Iadera predominantly among the late Antiquity writers, while usual ethnonyms were Iadestines and Iadertines. The accent was on the first syllable in both Iader and Iadera forms, which influenced the early-Medieval Dalmatian language forms Jadra, Jadera andJadertina, where the accent kept its original place.

In the Dalmatian language, Jadra (Jadera) was pronounced Zadra (Zadera), due to the phonetic transformation of Ja- to Za-. That early change was also reflected in the Croatian name Zadar (recorded as Zader in the 12th century), developed from Zadъrъ by vocalizations of the semi-vowel and a shift to male gender. An ethnonym graphic Jaderani from the legend of St. Krševan in 9th century, was identical to the initial old-Slavic form Zadъrane, or Renaissance Croatian Zadrani.

The Dalmatian names Jadra, Jadera were transferred to other languages; in Venetian language Jatara (hyper urbanism in 9th century) and Zara, Tuscan Giara, Latin Diadora (Constantine VII in DAI, 10th century), Old French Jadres (Geoffroy de Villehardouin in the chronicles of the Fourth Crusade in 1202), Arabic Jādhara (جاذَرة) & Jādara (جادَرة) (Al-Idrisi, 12th century), Iadora (Guido, 12th century),Spanish Jazara, Jara, Sarra (14th century) and the others.

Jadera became Zara when it fell under the authority of the Republic of Venice in the 15th century. Zara was later used by the Austrian Empire in the 19th century, but it was provisionally changed to Zadar/Zara from 1910 to 1920; from 1920 to 1947 the city became part of Italy as Zara, and finally was named Zadar later on.

Geography

Zadar faces the islands of Ugljan and Pašman, from which it is separated by the narrow Zadar Strait. The promontory on which the old city stands used to be separated from the mainland by a deep moat which has since become landfilled. The harbor, to the north-east of the town, is safe and spacious.

Main sights

Architecture

Zadar gained its urban structure in Roman times; during the time of Julius Caesar and Emperor Augustus, the town was fortified and the city walls with towers and gates were built. On the western side of the town were the forum, the basilica and the temple, while outside the town were the amphitheatre and cemeteries. The aqueduct which supplied the town with water is partially preserved. Inside the ancient town, a medieval town had developed with a series of churches and monasteries being built.

During the Middle Ages, Zadar fully gained its urban aspect, which has been maintained until today. In the first half of the 16th century Venice fortified the town with a new system of defensive walls on the side facing land. In the course of the century architectural building in the Renaissance style was continued and defensive trenches (Foša) were also built. They were completely buried during the Italian occupation until that in 1873, under Austrian rule, the ramparts of Zadar were converted from fortifications into elevated promenades commanding extensive seaward and landward views, thus being the wall lines preserved; of its four old gates one, the Porta Marina, incorporates the relics of a Roman arch, and another, the Porta di Terraferma, was designed in the 16th century by the Veronese artist Michele Sanmicheli. In the bombardments during the Second World War entire blocks were destroyed, but some structures survived.

 

St. Donatus' Church, a pre-Romanesque church from the 9th century.

 

St. Mary's Church, located in the old city opposite St. Donatus' Church.

Culture

The first university of Zadar was mentioned in writing as early as in 1396 and it was a part of a Dominican monastery. It closed in 1807.

Zadar was, along with Split and Dubrovnik, one of the centres of the development of Croatian literature.

The 15th and 16th centuries were marked by important activities of Croatians writing in the national language: Jerolim Vidolić, Petar Zoranić (who wrote the first Croatian novel, Planine), Brne Karnarutić, Juraj Baraković, Šime Budinić.

Under French rule (1806–1810), the first Dalmatian newspaper Il Regio Dalmata - Kraglski Dalmatin was published in Zadar. It was printed in Italian and Croatian; this last used for the first time in a newspaper.

In the second half of the 19th century, Zadar was a centre of the movement for the cultural and national revivals in Dalmatia (Italian and Croatian).

Malinska, Krk, Republika Hrvatska

Malinska (German: Durischal) is a settlement (naselje) in the northwestern part of the island Krk in Croatia and an important tourist town. It lies on the coast of the Adriatic Sea, in the picturesque bay facing Opatija and Rijeka.

The municipality of Malinska-Dubašnica has 2,726 inhabitants and the settlement itself has 607 (2001 census), although in 1991 there were 999 inhabitants. Because of the catastrophic consequences of the privatization of the hotel complex "Haludovo", the main entity in Malinska, during the 1990s almost completely destroyed, which in turn led to the loss of many jobs. This was reflected at the population of Malinska, which decreased by one third.

The settlement of Malinska is about 15 minutes from the Rijeka airport and can also be reached by car from the mainland crossing the Krk bridge. The city of Krk is located 12 km to the south.

Every year on July 23 the traditional "Malinskarska Night" takes place (Croatian: Malinskarska noć) — the day of the municipality and the feast of Saint Apollinaris, patron saint of the parish and settlement.

The parish church of St. Apollinaris is located in the vicinity - Bogovići. Built in the 19th century, it dominates Malinska. The new chapel of St. Nicholas in the center of the port was consecrated in 2000.

Šibenik, Republika Hrvatska

Šibenik  is a historic town in Croatia, with population of 51,553 (2001). It is located in central Dalmatia where the river Krka flows into the Adriatic Sea. Šibenik is a political, educational, transport, industrial and tourist center of Šibenik-Knin county.

Name

In Croatian, the town is known as Šibenik, in Italian as Sebenico, in German as Sibennig, in Latin as Sebenicum, and in Hungarian as Sibenik.

Climate

Šibenik has a Mediterranean climate, with mild, humid winters and hot, dry summers. January and February are the coldest months, July and August are the hottest months. In July the average maximum temperature is around 30 °C (86 °F).

History

Early history

Unlike other cities along the Adriatic coast, which were established by Greeks, Illyrians and Romans, Šibenik was founded by Croats. Excavations of the castle of Saint Michael, have since proven that the place was inhabited long before the actual arrival of the Croats. It was mentioned for the first time under its present name in 1066 in a Charter of the Croatian King Petar Krešimir IV and, for a period of time, it was a seat of this Croatian King. For that reason, Šibenik is also called "Krešimirov grad" (Krešimir's city). It is the oldest native Croatian town on the eastern shores of the Adriatic.

Between the 11th and 12th centuries, Šibenik was tossed back and forth among Venice, Byzantium, Hungary and the Kingdom of Bosnia. It was conquered by the Republic of Venice in 1116, who held it until 1124, when they briefly lost it to the Byzantine Empire, and then held it again until 1133 when it was retaken by the Kingdom of Hungary. It would change hands amongst the aforementioned states several more times until 1180.

The city was given the status of a town in 1167 from Stephen III of Hungary. It received its own diocese in 1298.

The city, like the rest of Dalmatia, resisted the Venetians in a three-year war that was resolved in their favor in 1412. The Ottoman Empire started to threaten Šibenik, as part of their struggle against Venice, at the end of the 15th century, but they never succeeded in conquering it. In the 16th century, St. Nicholas Fortress was built and, by the 17th century, its fortifications were improved again by the fortresses of St. John (Tanaja) and Šubićevac (Barone).

The fall of the Venetian Republic in 1797 brought Šibenik under the authority of the Habsburg Monarchy.

20th century

After World War I, Šibenik was occupied by the Kingdom of Italy until 12 June 1921. As a result of the Treaty of Rapallo, the Italians gave up their claim to the city and it became a part of the Kingdom of Serbs, Croats and Slovenes. During World War II it was occupied by Fascist Italy and Nazi Germany. Over the course of Allied bombing of the city, the Church of Sveti Nikola (Saint Nicholas) in the Mandalina settlement was destroyed. After WWII it became a part of the SFR Yugoslavia until Croatia declared independence in 1991.

During the Croatian War of Independence (1991–1995), Šibenik was heavily attacked by the Yugoslav National Army and Serbian paramilitary troops. Although under-armed, the nascent Croatian army and the people of Šibenik managed to defend the city. The battle lasted for six days (16–22 September), often referred to as the "September battle". The bombings damaged numerous buildings and monuments, including the dome of the Cathedral of St. James and the 1870-built theatre building.

In an August 1995 military operation, Croatian Army defeated the Serb forces and freed the occupied areas, which created the basic conditions for its post-war recovery and allowed the region to continue to develop as the centre of Šibenik-Knin county. Architecturally, the damaged parts of the city have been fully reconstructed.

Main sights

The central church in Šibenik, the Cathedral of St. James, is on the UNESCO World Heritage list.

Several successive architects built it completely in stone between 1431 and 1536, both in Gothic and in Renaissance style. The interlocking stone slabs of the Cathedral's roof were damaged when the city was shelled by Serbian forces in 1991. The damage has since been repaired.

Fortifications in Šibenik

Main article: St. Nicholas Fortress

In the town of Šibenik there are four fortresses:

St. Nicholas Fortress (Croatian: Tvrđava Sv. Nikole) is a fortress located at sea, at the entrance of Šibenik's port.

Natural heritage

A couple of kilometers north of the city is the Krka National Park, similar to the more famous Plitvice Lakes National Park, renowned for its many waterfalls, flora, fauna, and historical and archaeological remains.

The Kornati archipelago, west of Šibenik, consists of 150 islands in a sea area of about 320 km², making it the densest archipelago in the Mediterranean Sea.

Culture and events

The annual Šibenik International Children's Festival (Međunarodni Dječji Festival) takes place every summer.

The composer Jakov Gotovac founded the city's "Philharmonia Society" in 1922. The composer Franz von Suppé was part of the city's cultural fabric, as he was a native of nearby Split.

Rijeka, Republika Hrvatska

Rijeka (Croatian: Rijeka, Italian and Hungarian: Fiume, other Croatian dialects: Reka or Rika, Slovene: Reka, German: Sankt Veit am Flaum or Pflaum (both historical)) is the principal seaport and the third largest city in Croatia (after Zagreb and Split). It is located on Kvarner Bay, an inlet of the Adriatic Sea and has a population of 128,735 inhabitants (2011). The conurbation, which includes adjacent towns and municipalities of Opatija, Lovran, Mošćenička Draga, Matulji, Kastav, Viškovo, Klana, Kostrena, Čavle, Jelenje, Bakar, and Kraljevica has a population of 213,842 (2011).

Historically, because of its strategic position and its excellent deep-water Port of Rijeka, the city was fiercely contested, especially between Italy, Hungary, and Croatia, changing hands and demographics many times over centuries. According to the 2001 census data, the overwhelming majority of its citizens (80.39%) are Croats, with Serbs coming in second (6.21%). The Serbo-Croat, Slovene and Italian version of the city's name mean river in each of the languages.

Rijeka is the center of Primorje-Gorski Kotar County in Croatia. The city's economy largely depends on shipbuilding (shipyards "3. Maj" and "Viktor Lenac") and maritime transport. Rijeka hosts the Croatian National Theatre "Ivan pl. Zajc", first built in 1765, as well as the University of Rijeka, founded in 1973 but with roots dating back to 1632.

Ancient and medieval times

Though traces of Neolithic settlements can be found in the region, the earliest modern settlements on the site were Celtic Tarsatica (modern Trsat, now part of Rijeka) on the hill, and the tribe of mariners, the Liburni, in the natural harbour below. The city long retained its double character.

In the time of Augustus, the Romans rebuilt Tarsatica as a municipium (MacMullen 2000) on the right bank of the small river Rječina (whose name means "the big river") as Flumen. Pliny mentioned Tarsatica (Natural History iii.140).

From the 5th century onwards, the town was ruled successively by the Ostrogoths, the Byzantines, the Lombards, the Avars, the Franks, the Croats, the Hungarians and the Venetians before coming under the control of the Archduchy of Austria ruled by Austrian Habsburgs in 1466, where it remained for over 450 years except French rule between 1805 and 1813, until its occupation by Italian and Croat irregulars at the end of the first world war.

After the 4th century the city was rededicated to St. Vitus, the city's patron saint, as Terra Fluminis sancti Sancti Viti or in German Sankt Veit am Pflaum. In medieval times Rijeka got its Croatian name, Rika svetoga Vida (= the river of St. Vitus).

Medieval Rijeka was a city surrounded by a wall and was thus a feudal stronghold. The fort was in the center of the city, at its highest point.

Under Habsburg sovereignty

After coming under Austrian Rule in 1466, Sankt Veit am Pflaum grew as part of the Holy Roman Empire and was eventually turned into a free port in 1723.During the 18th and 19th centuries was passed among the Habsburgs' Austrian, Croatian, and Hungarian possessions until being attached to Hungary for the third and last time in 1870. The City of Rijeka was governed (as a corpus separatum) directly from Budapest by an appointed governor, as Hungary's only international port. There was competition between Austria's Port of Trieste and Hungary's Port of Fiume. In the early 19th century, the prominent economical and cultural leader of the city was Andrija Ljudevit Adamić.

Fiume also had a significant naval base, and in the mid-19th century it became the site of the Austro-Hungarian Naval Academy (K.u.K. Marine-Akademie), where the Austro-Hungarian Navy trained its officers.

Giovanni de Ciotta (Mayor from 1872 to 1896) proved to be the most authoritative local political leader. Under his leadership, an impressive phase of expansion of the city started, marked by major port development, fuelled by the general expansion of international trade and the city's connection (1873) to the Hungarian and Austrian railway networks. Modern industrial and commercial enterprises such as the Royal Hungarian Sea Navigation Company "Adria", and the Papermill, situated in the Rječina canyon, producing worldwide known cigarette paper, became trademarks of the city.

The second half of the 19th century and the beginning of the 20th century (up to WWI) was a period of rapid economic growth and technological dynamism for Rijeka. The industrial development of the city included the first industrial scale oil refinery in Europe in 1882 and the first torpedo factory in the world in 1866, after Robert Whitehead, manager of the "Stabilimento Tecnico Fiumano" (an Austrian engineering company engaged in providing engines for the Austro-Hungarian Navy), designed and successfully tested the world's first torpedo. Rijeka also became a pioneering center for high speed photography. The Austrian physicist dr. Peter Salcher working in Rijeka's Austro-Hungarian Marine Academy took the first photograph of a bullet flying at supersonic speed in 1886, devising a technique that was later used by Ernst Mach in his studies of supersonic motion. Rijeka's port underwent a tremendous development fuelled by heavy Hungarian investment, becoming the main maritime outlet for Hungary and the eastern part of the Austro-Hungarian Empire and the fifth port in the Mediterranean, after Marseilles, Genova, Naples and Trieste. The population grew rapidly from only 21,000 in 1880 to 50,000 in 1910. A lot of major civic buildings went up at that time, including the Governor's Palace designed by the Hungarian architect Alajos Hauszmann.

Apart from the rapid economic growth, the period encompassing the second half of the 19th and up to WWI also saw a shift in the ethnic composition of the city. Kingdom of Hungary, which administered the city in that period, favored the Italian element in the city and encouraged the Italian immigration at the detriment of Croats, with whom Hungarians at the time had a difficult relationship and who claimed the city should be part of Croatia-Slavonia (while Hungarians considered the city to be a corpus separatum). At the turn of the century, Hungarians had 10 secondary schools and 4 elementary schools in the city, Italians had 5 secondary and 21 elementary schools, while Croats had no schools at all. In 1910, there were 24,000 Italians, but only 13,000 Croats in Rijeka (in addition to the 6,500 Hungarians and several thousands of other nationalities, mostly Slovenians and Germans), giving the city a decidedly Italian character.

The future mayor of New York City, Fiorello La Guardia, lived in the city at the turn of the 20th century, and reportedly even played football for the local sports club.

he Italo-Yugoslav dispute and the Free State

Habsburg-ruled Austria-Hungary's disintegration in the closing weeks of World War I in the fall of 1918 led to the establishment of rival Croatian and Italian administrations in the city; both Italy and the founders of the new Kingdom of the Serbs, Croats and Slovenes (later the Kingdom of Yugoslavia) claimed sovereignty based on their "irredentist" ("unredeemed") ethnic populations.

After a brief Serbian occupation, an international force of Italian, French, British and American troops occupied the city (November 1918) while its future was discussed at the Paris Peace Conference during the course of 1919.

Italy based its claim on the fact that Italians were the largest single nationality within the city, 88% of total. Croats made up most of the remainder and were also a majority in the surrounding area, including the neighbouring town of Sušak. Andrea Ossoinack, who had been the last delegate from Fiume to the Hungarian Parliament, was admitted to the conference as a representative of Fiume, and essentially supported the Italian claims.

On 10 September 1919, the Treaty of Saint-Germain was signed declaring the Austro-Hungarian monarchy dissolved. Negotiations over the future of the city were interrupted two days later when a force of Italian nationalist irregulars led by the poet Gabriele d'Annunzio seized control of the city by force; d'Annunzio eventually established a state, the Italian Regency of Carnaro.

The resumption of Italy's premiership by the liberal Giovanni Giolitti in June 1920 signaled a hardening of official attitudes to d'Annunzio's coup. On 12 November, Italy and Yugoslavia concluded the Treaty of Rapallo, under which Rijeka was to be an independent state, the Free State of Fiume, under a regime acceptable to both. D'Annunzio's response was characteristically flamboyant and of doubtful judgment: his declaration of war against Italy invited the bombardment by Italian royal forces which led to his surrender of the city at the end of the year, after five days' resistance. Italian troops took over in January 1921. The election of an autonomist-led constituent assembly for the territory did not put an end to strife: a brief Italian nationalist seizure of power was ended by the intervention of an Italian royal commissioner, and a short-lived local Fascist takeover in March 1922 ended in a third Italian military occupation. Seven months later Italy herself fell under Fascist rule.

A period of diplomatic acrimony closed with the Treaty of Rome (27 January 1924), which assigned Rijeka to Italy and Sušak to Yugoslavia, with joint port administration. Formal Italian annexation (16 March 1924) inaugurated twenty years of Italian government.

Rijeka in World War II

At the beginning of WWII Rijeka immediately found itself in an awkward position. The city was overwhelmingly Italian, but its immediate surroundings and the city of Sušak, just across the Rječina river (today a suburb of Rijeka proper) were inhabited almost exclusively by Croatians and part of a potentially hostile power – Yugoslavia. Once the Axis powers invaded Yugoslavia in April 1941, the Croatian areas surrounding the city were occupied by the Italian military, setting the stage for an intense and bloody insurgency which would last until the end of the war. Partisan activity included guerrilla-style attacks on isolated positions or supply columns, sabotage and killings of civilians believed to be connected to the Italian and (later) German authorities. This, in turn, was met by stiff retributions from the Italian and German military. On 14 July 1942, in reprisal for the killing of 4 Italian citizens by the Partisans, the Italian military killed 100 men from the suburban village of Podhum, resettling the remaining 800 people to concentration camps.

After the surrender of Italy to the Allies in September 1943, Rijeka and the surrounding territories were annexed by Germany, becoming part of the Adriatic Littoral Zone. The partisan activity continued and intensified. On 30 April 1944, in the nearby village of Lipa, German troops killed 263 civilians as a retaliation for the killings of several soldiers during a partisan attack.

Because of its industries (oil refinery, torpedo factory, shipyards) and its port facilities, the city was also a target of frequent (more than 30) Anglo-American air attacks, which caused widespread destruction and many hundreds of civilian deaths. Some of the worst bombardments happened on 12 January 1944 (attack on the refinery, part of the Oil Campaign), on 3–6 November 1944, when a series of attacks resulted in at least 125 deaths and between 15 and 25 February 1945 (200 dead, 300 wounded).

The area of Rijeka was heavily fortified even before WWII (the remains of these fortifications can be seen today on the city outskirts). This was the fortified border between Italy and Yugoslavia which, at that time, cut across the city area and its surroundings. When the Yugoslav troops started to approach the city in April 1945, one of the fiercest and largest battles in this area of Europe ensued. The 27000 German and additional Italian troops fought tenaciously from behind these fortifications (renamed "Ingridstellung" – Ingrid Line – by the Germans). Under the command of the German general Ludwig Kübler they inflicted many thousands of casualties on the attacking Yugoslav partisans, which were forced to charge uphill against well fortified positions to the north and east of the city. Ultimately the Germans were forced to retreat. Before leaving the city, in an act of wanton destruction (WWII was almost over), the German troops destroyed the harbour area and all the infrastructure with a number of huge explosive charges. The German attempt to break out of the partisan encirclement north-west of the city was however unsuccessful. Of the approximately 27000 German and other troops retreating from the city, 11000 were killed (many were executed after surrendering), while the remaining 16000 were taken prisoner. Yugoslav troops entered Rijeka on 3 May 1945.

Post World War II

The aftermath of the war saw the city's fate again resolved by a combination of force and diplomacy. This time the city of Rijeka became Yugoslav, a situation formalized by the Paris peace treaty between Italy and the wartime Allies on 10 February 1947. Once the change in sovereignty was formalized, 58,000 of the 66,000 Italian speakers choose exile (known in Italian as esuli or the exiled ones) rather than enduring the repression by the new Yugoslav communist authorities. The discrimination and persecution many of them experienced at the hands of the Yugoslav populace and officials in the last days of World War II and the first Years of peace still remain painful memories. Summary executions of alleged fascists, Italian public servants, military officials and even ordinary civilians (at least 650 Italians were executed immediately after the war), forced most ethnic Italians to abandon Rijeka in order to avoid this type of ethnic cleansing.

In the immediate post-WWII period, the city was resettled by many immigrants from various parts of Yugoslavia changing the city demographics once again, and a period of reconstruction began. During the period of the Yugoslav communist administration in the 1950s–1980s the city grew both demographically and economically, based on its traditional manufacturing industries, its maritime economy and its port, then the largest in Yugoslavia. However, many of these industries were mostly a product of a socialist planned economy and could not be sustained once the economy transitioned to a more market oriented model in the early 1990s.

In 1991 the city once again changed hands, becoming part of Croatia, which broke off from Yugoslavia during the Croatian War of Independence. Since then, the city is somewhat stagnating both economically as well as demographically, with some of its largest industries and employers either going out of business (the Jugolinija shipping company, the Torpedo factory, the Paper mill and many other medium or small manufacturing and commercial companies) or struggling to stay economically viable (the city's landmark 3. Maj shipyards). A difficult and uncertain transition of the city economy away from manufacturing and towards services and tourism is still in progress.

Climate and geography

Rijeka's position overlooking the Kvarner Bay with its islands (Cres, Krk) on the south, the Učka mountain on the west, the mountains of Gorski kotar to the north and the Velebit range to the east offers an impressive natural setting.

The terrain configuration, with mountains raising steeply just a few miles inland from the shores of the Adriatic, provides for some striking climatic and landscape contrasts in a small geographic area. Beaches can be enjoyed throughout summer in a typically Mediterranean environment along the coastal areas of the city to the east (Pećine, Kostrena) and west (Kantrida, Preluk). At the same time, the ski resort of Platak, located only about 10 kilometers (6.2 mi) from the city, offers alpine skiing and abundant snow during winter months (at times until early May). The Kvarner Bay and its islands can be observed from the ski slopes.

Rijeka has a Humid subtropical climate with warm summers and relatively mild and rainy winters. Snow is rare (usually 3 days per year, almost always in traces). There are 22 days a year with maximum of 30 °C (86 °F) or higher, while one day a year temperature does not exceed 0 °C (32 °F). Fog appears in about 4 days per year, mainly in winter. The climate is also characterized by frequent rainfall. Cold bura (bora) winds are common in winter time.

There are 1922.5 hours of sunshine per year. Maximum is in July with 297.6 hours, while minimum is in December with 97.8 hours of sunshine.

Main sights

- Tvornica "Torpedo" (the Torpedo factory). The first European prototypes of a self-propelled torpedo, created by Giovanni Luppis, a retired naval engineer from Rijeka. The remains of this factory still exist, including a well-preserved launch ramp used for testing self-propelled torpedoes on which in 1866 the first torpedo was tested.

- Svetište Majke Božje Trsatske – the Sanctuary of Our Lady of Trsat. Built 135 meters above the sea on the Trsat hill during the late Middle Ages, it represents the Guardian of Travelers, especially seamen, who bring offerings to her so she will guard them or help them in time of trouble or illness. It is home to the Gothic sculpture of the Madonna of Slunj and to works by the Baroque painter C. Tasce.

- Old gate or Roman arch. At first it was thought that this was a Roman Triumphal Arch built by the Roman Emperor Claudius Gothicus but later it was discovered to be just a portal to the pretorium, the army command in late antiquity.

- Rijeka Cathedral, dedicated to St. Vitus.

Onze-Lieve-Vrouwekathedraal, Antwerpen, Koninkrijk België

The Cathedral of Our Lady (Dutch: Onze-Lieve-Vrouwekathedraal) is a Roman Catholic cathedral in Antwerp, Belgium. Today's see of the Diocese of Antwerp was started in 1352 and, although the first stage of construction was ended in 1521, has never been 'completed'. In Gothic style, its architects were Jan and Pieter Appelmans. It contains a number of significant works by the Baroque painter Peter Paul Rubens, as well as paintings by artists such as Otto van Veen, Jacob de Backer and Marten de Vos.

The cathedral is on the list of World Heritage Sites.

History

Where the cathedral now stands, there was a small chapel of Our Lady from the 9th to the 12th century, which acquired the status of parish church in 1124. During the course of the twelfth century, it was replaced by a larger Romanesque church (80 metres (260 ft) long and 42 metres (138 ft) wide).

In 1352, construction was begun on a new Our Lady’s church which would become the largest Gothic church in the Netherlands. In the beginning, it was to be provided with two towers of equal height. In 1521, after nearly 170 years, the new church of Our Lady was ready. The south tower reached only as far as the third string course.

During the night of 5–6 October 1533, the new church was largely gutted by fire. The completion of the second tower was therefore delayed, which led to its ultimate postponement. Moreover, the church only became cathedral of the bishopric of Antwerp in 1559 but lost this title again from 1801 to 1961, following the Concordat of 1801. During the Iconoclasm of 20 August 1566 (at the start of the Eighty Years' War), Protestants destroyed a large part of the cathedral interior. Later, when Antwerp came under Protestant administration in 1581, a number of artistic treasures were once again destroyed, removed or sold. The restoration of Roman Catholic authority came in 1585 with the fall of Antwerp.

In 1794 the French revolutionaries that conquered the region plundered Our Lady’s Cathedral and inflicted serious damage. Around 1798, the French administration intended to demolish the building but after each blow, the cathedral was able to recover. In 1816, various important works of art were returned from Paris, including three Rubens masterpieces. And over the course of the 19th century, the church was completely restored and refurnished.

Between 1965 and 1993, a complete restoration took place.

Musical life

At the beginning of the 15th century, the cathedral's choir started developing an active musical life, and as a result, the cathedral's importance in the history of music soon soared. Johannes Ockeghem, one of the most important composers of the 15th century, served here as a vicar-singer in 1443, and so did Jacob Obrecht between 1492 and 1497. Organists who worked at the cathedral include Henry Bredemers (1493–1501), who went on to become a teacher to Philip the Handsome's children, and the renowned English composer John Bull (1615–1628), who fled to Flanders from his home country escaping justice. From 1725 to 1731 Willem de Fesch served as Kapelmeester followed from 1731 to 1737 by Joseph-Hector Fiocco. Lesser known, but locally important figures, such as Jacobus Barbireau and Andreas Pevernage, also worked at the cathedral.

Significant architectural details

The church's one finished spire is 123 metres (404 ft) high, the highest church tower in the Benelux. Charles V, Holy Roman Emperor commented that the spire should be kept under glass, and Napoleon compared the spire to Mechlin lace. The largest bell in the tower requires 16 bell ringers.

The west portal features statues which include the missionary Saint Willibrordus. He is thought to have spent time in Antwerp in the 7th century.

Major works of art

Two of these artworks were taken from the cathedral to France by Napoleon, The Raising of the Cross and The Descent from the Cross, but were returned to the cathedral in the 19th century.

Split, Republika Hrvatska

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The other side of Dalmatia, Republika Hrvatska

Vodice, Republika Hrvatska

Vodice is a town in the Šibenik-Knin County, Croatia. It borders the Adriatic Sea and has a population of 9,407. (2001 census).

Vodice was first mentioned in 1402 although it was founded already in the Roman times as Arausa. Its name derives from the word meaning water sources which supplied the whole area. The defense walls from the times of the Turks with the Coric tower testify the past times. Other similar monuments are St. Cross' church on the former graveyard, built in 1421 and the parish church in the town centre built in 1746.

Tourism

Vodice is a very popular tourist destination in Croatia, with most of the population oriented towards tourism and providing accommodation for visitors in hotels, apartments and houses.

Vodice has a variety of pebble and sandy beaches.

Interesting facts

Vodice is birthplace of famous Croatian playwright Ivo Brešan.

On the nearby hill Okit during the Turkish invasions, refugees founded a settlement and on its top the chapel Lady of Mercy was built in 1660.

Manneken Pis, Brussel, Koninkrijk België

Manneken Pis (literally Little Man Pee in Marols, a Dutch dialect spoken in Brussels, also known in French as le Petit Julien), is a famous Brussels landmark. It is a small bronze fountain sculpture depicting a naked little boy urinating into the fountain's basin. It was designed by Jerome Duquesnoy and put in place in 1618 or 1619. It bears a similar cultural significance as Copenhagen's Little Mermaid.

Location

The famous statue is located at the junction of Rue de l'Étuve/Stoofstraat and Rue du Chêne/Eikstraat. To find it, one takes the left lane next to the Brussels Town Hall from the famous Grand Place and walks a few hundred meters to arrive at the spot. The statue will be on the left corner

History and legends

There are several legends behind this statue, but the most famous is the one about Duke Godfrey III of Leuven. In 1142, the troops of this two-year-old lord were battling against the troops of the Berthouts, the lords of Grimbergen, in Ransbeke (now Neder-over-Heembeek). The troops put the infant lord in a basket and hung the basket in a tree to encourage them. From there, the boy urinated on the troops of the Berthouts, who eventually lost the battle.

Another legend states that in the 14th century, Brussels was under siege by a foreign power. The city had held its ground for some time, so the attackers conceived of a plan to place explosive charges at the city walls. A little boy named Julianske happened to be spying on them as they were preparing. He urinated on the burning fuse and thus saved the city. There was at the time (middle of the 15th century, perhaps as early as 1388) a similar statue made of stone. The statue was stolen several times. In 1619 it was replaced by the current bronze statue, created by Franco-Flemish Baroque sculptor Jerome Duquesnoy, father of the more famous François of the same last name.

Another story (told often to tourists) tells of a wealthy merchant who, during a visit to the city with his family, had his beloved young son go missing. The merchant hastily formed a search party that scoured all corners of the city until the boy was found happily urinating in a small garden. The merchant, as a gift of gratitude to the locals who helped out during the search, had the fountain built.

Another legend was that a small boy went missing from his mother when shopping in the centre of the city. The woman, panic-stricken by the loss of her child, called upon everyone she came across, including the mayor of the city. A city-wide search began and when at last the child was found, he was urinating on the corner of a small street. The story was passed down over time and the statue erected as tribute to the well known fable.

Another legend tells of the young boy who was awoken by a fire and was able to put out the fire with his urine, in the end this helped stop the king's castle from burning down.

Traditions

The statue is dressed in costume several times each week, according to a published schedule which is posted on the railings around the fountain. His wardrobe consists of several hundred different costumes, many of which may be viewed in a permanent exhibition inside the City Museum, located in the Grand Place, immediately opposite the Town Hall. The costumes are managed by the non-profit association The Friends of Manneken-Pis, who review hundreds of designs submitted each year, and select a small number to be produced and used.

Although the proliferation of costumes is of twentieth-century origin, the occasional use of costumes dates back almost to the date of casting, the oldest costume on display in the City Museum being of seventeenth-century origin. The changing of the costume on the figure is a colourful ceremony, often accompanied by brass band music. Many costumes represent the national dress of nations whose citizens come to Brussels as tourists; others are the uniforms of assorted trades, professions, associations, and branches of the civil and military services.

On occasion, the statue is hooked up to a keg of beer. Cups will be filled up with the beer flowing from the statue and given out to people passing by.

The statue has been stolen seven times, the last time being the 20th century by students from the village of Broxeele, a town with the same etymology as Brussels.

There is also a statue of Manneken Pis in Tokushima, Japan, which was a present from the Belgian embassy (Tokushima being twinned with Brussels).

Since 1987, the Manneken has had a female equivalent, Jeanneke Pis, located on the east side of the Impasse de la Fidélité / Getrouwheidsgang.

Replicas

In Bali, Indonesia, there is a Belgian restaurant called Mannekepis. It even has the exact replica of the statue standing in front of the restaurant, urinating.

In many countries, replicas in brass or fiberglass are commonplace swimming or garden-pool decorations. Many copies exist worldwide as garden ornaments. Manneken Pis has also been adapted into such risqué souvenir items as ashtrays and corkscrews.

In September 2002, a Belgian-born waffle-maker in Florida, named Assayag, set up a replica in front of his waffle stand in the Orlando Fashion Square mall in Orlando, Florida. He recalled the legend as 'the boy who saved Brussels from fire by extinguishing it with his urine' (confusing the legend with an incident in Gulliver's Travels perhaps). Some shocked shoppers made a formal complaint. Mall officials said that the waffle-shop owner did not follow procedures when he put up the statue and was therefore in violation of his lease.

In contrast, there is a similar statue in Rio de Janeiro in front of the quarters of Botafogo de Futebol e Regatas, a famous football club fromBrazil. There, the presence of the statue is taken lightly, and it has even been adopted as a mascot by the club. Fans usually dress it with the club's jersey after important wins.

In the Netherlands, there is a small chain of chip shops called Manneken Pis.

In Olney, Maryland, there is a Belgian restaurant called Mannequin Pis.

A working replica of Manneken Pis stands on the platform of Hamamatsuchō Station in Tokyo, Japan. The statue is a great source of pride for station workers who dress it in various costumes—traditional and otherwise—at different times of y

In Popular Culture

A promotional expansion for the board game 7 Wonders allows a player to build an eighth wonder of the world; Mannekin-Pis. Manneken Pisis also the name of a book by Vladimir Radunsky.

Međugorje, Bosna i Hercegovina

Međugorje or Medjugorje (Croatian pronunciation: [ˈmɛdʑuɡɔːrjɛ]) is a town located in western Bosnia and Herzegovina, in the Herzegovina region around 25 km southwest of Mostar and close to the border of Croatia. Since 1981, it has become a popular site of religious pilgrimage due to reports of apparitions of the Virgin Mary to six local Catholics.

The name Međugorje literally means "an area between mountains". At an altitude of 200 metres above sea level it has a mild Mediterranean climate. The town consists of an ethnically-homogeneous Croat population of over 4000. The Roman Catholic parish (local administrative and religious area) consists of five neighbouring villages, Međugorje, Bijakovići, Vionica, Miletina and Šurmanci.

In March 2010, the Holy See announced that the Congregation for the Doctrine of the Faith was forming an investigative commission, composed of bishops, theologians, and other experts, under the leadership of Cardinal Camillo Ruini, the Pope's former Vicar General for the Diocese of Rome.

Reported apparitions

"Our Lady of Međugorje" is the title given to the Blessed Virgin Mary by those who believe that she has been appearing since 24 June 1981 to six people in Međugorje (then part of socialist Yugoslavia).

The visionary Marija Lunetti (Pavlovic) claims to receive messages from the Virgin Mary on the twenty-fifth of every month, while Mirjana Soldo (Dragicevic) reports receiving messages on the second of the month.

The messages reputed to Our Lady of Međugorje have a strong following among Catholics worldwide. Međugorje has become one of the most popular pilgrimage sites for Catholics (and people of other faiths) in the world and has turned into Europe's third most important religious place, where each year more than 1 million people visit. It has been estimated that 30 million pilgrims have come to Međugorje since the reputed apparitions began in 1981. Many have reported visual phenomena including the sun spinning in the sky or changing colors and figures such as hearts and crosses around the sun. Some visitors have suffered eye damage while seeking to experience such phenomena.

On June 4, 2008, before a regular Wednesday general audience, Pope Benedict XVI blessed a statue of Our Lady of Međugorje in Saint Peter's Square, Vatican City. However, the phenomenon is not officially approved by the Catholic Church.

In March 2010, the Holy See announced that the Congregation for the Doctrine of the Faith was forming an investigative commission, composed of bishops, theologians, and other experts, under the leadership of Cardinal Camillo Ruini, the Pope's former Vicar General for the Diocese of Rome. The Commission is expected to report any findings to the Congregation, which has responsibility for any possible judgment on the case.

 Early history

To the east of Međugorje in the Neretva valley, the Serbian Orthodox Žitomislić Monastery has stood since 1566. Gravestones erected in the Middle Ages have remained to this day in the Catholic cemetery Groblje Srebrenica in the hamlet of Miletina as well as in the hamlet of Vionica. In the area of the cemetery in Miletina, structures from the Roman era stood, whose ruins have not yet been fully excavated.

 19th and early 20th century

In 1882 the railroad line between Mostar and the Adriatic coast of Dalmatia was built, with a station in the hamlet of Šurmanci, through which the village gained access to rail transport.

The Catholic parish of Sveti Jakov ("Saint James") was erected in 1892 by the Bishop of Mostar Paškal Buconjić. The twelve-meter tall crucifix on the mountain called Križevac (Cross Mountain), completing the parish's Stations of the Cross (križni put), was completed in 1934.

Second World War

In 1941, when Međugorje belonged to the Independent State of Croatia, the Žitomislić Monastery was plundered by the Ustasha, and its refectory was burned down.

On June 21, 1941, members of the Ustasha committed a massacre in the hamlet of Šurmanci against 559 Serb civilians, which led Mostar bishop Alojzije Mišić to write a letter of protest to the Archbishop of Zagreb Aloysius Stepinac. The Communist government of Yugoslavia had the pit containing the bodies sealed with a concrete slab; hence they were only exhumed and reburied at the cemetery of Prebilovci in the neighboring town of Čapljina in 1989.

 Development of the pilgrimage site

On June 24, 1981, reports began of Marian apparitions on Crnica hill in the Bijakovići hamlet, and shortly thereafter confrontations with Yugoslav state authorities began. Pilgrims' donations were seized by the police and access to what was called the Apparition Hill was largely blocked.

In October 1981, Jozo Zovko, then the pastor of the town, was sentenced to three and a half years imprisonment with forced labor for allegedly participating in a nationalistic plot. After Amnesty International, among others, appealed for his release and a judicial appeal was made, the sentence was reduced in the Yugoslav Federal Court in Belgrade to one and a half years, and the priest was released from prison in 1983.

In the last years before the collapse of Yugoslavia, the travel of pilgrims was no longer hindered by the state.

 Međugorje during the Bosnian War

During the Bosnian War Međugorje remained in the hands of the Croatian Defence Council and in 1993 became part of the internationally unrecognized Croatian Republic of Herzeg-Bosnia. By the Dayton Agreement in 1995, Međugorje was incorporated into the Federation of Bosnia and Herzegovina, populated mostly by Bosniaks and Croats.

In 1992 the town was the launching point of a so-called ethnic cleansing on the part of the Croatian Defence Council, which led to the complete destruction of the Serbian Orthodox Žitomislić Monastery. The property of the Franciscan order in Bijakovići below Podbrdo ("Apparition Hill") was used during the war years as a testing ground for grenade launchers by the militia of a local weapons dealer.

On April 2, 1995, at the high point of conflict within the local diocese, Bishop Ratko Perić was kidnapped by Croatian militiamen, beaten, and taken to a chapel run by one of the Franciscans associated with Međugorje, where he was held hostage for ten hours. At the initiative of the mayor of Mostar he was freed without bloodshed, with the help of the United Nations Protection Force.

Development after the war

After the ending of the Bosnian War, peace came to the area: UN peace troops were stationed in western Herzegovina. Efforts by the politician Ante Jelavić to create a Croatian entity were unsuccessful, and Međugorje remained part of the Federation of Bosnia and Herzegovina.

The town and its environs boomed economically after the war. Over a thousand hotel and hostel beds are available for religious tourism. With approximately one million visitors annually, the municipality of Medjugorje has the most overnight stays in Bosnia-Herzegovina.

The Mostar International Airport, located approximately 20 km to the northeast, which was closed in 1991, reopened for civil aviation in 1998 and has made air travel to region easier since then. The road network was expanded after the Bosnian War. In addition the hamlet of Šurmanci in the lower Neretva valley has a train station on the route from Ploče to Sarajevo.

On April 6, 2001 demonstrations occurred in the region, with some violence, after the NATO-led Stabilisation Force had closed and searched the local branches of the Hercegovačka banka ("Herzegovina Bank"), through which a large part of the currency transactions in Herzegovina, including international donations intended for Međugorje, were carried out, on suspicion of white-collar crime. The Franciscan Province responsible for the parish was a shareholder of the bank.

Gazi Husrev-begova Džamija + Sahat Kula, Katedrala Srca Isusova, Saborna Crkva Rođenja Presvete Bogorodice, Grad Sarajevo, Bosna i Hercegovina

Sarajevo Clock Tower (Sahat Kula) is one of the highest and most beautiful ones in Bosnia and Herzegovina. It was built in the 17th century.

After a fire in 1697, when it was burnt during the invasion of Eugene of Savoy, Sahat Kula was restored, but again it was damaged, and again renewed in 1762.

After the Austro-Hungarian occupation the top of the tower was added, and a new clock, since the Turkish one, was old and had to replaced, was brought to Sarajevo by two Sarajevo traders, one of them Hašimaga Glođo, and the other Mustafa Hadžikapetanović, from London in 1874.

The old clock was taken to Vratnik, and placed on the Vratnik Mosque. On the tower, the clock mechanism is branded by Gillete & Bland Croydon, made in 1873, in London.

Builder of the tower is Gazi Husrev-bey, one of the greatest Bosnian vakifs from Ottoman period. The first written proof of it dates from the 17th century. The tower has 76 wooden steps, lined up in the squared series, up on which Muvekit climbes once a week to adjust the time.

The clock must be adjusted, because it shows the time “a la turca” (lunar hour). It is believed that this is the only (public) clock in the world that shows the time by the Lunar calendar.

This clock shows exactly noon at the moment of sunset in Sarajevo. In the yard of Beys mosque there is Muvaqqithana, where at, based on precise measurements and containers with water was accurately determined the time of pray. In the year 1967 the clock was repaired, and the hands and numbers on all four sides were gilded.

When, during the Islamic holy month of fasting, Ramadan clock tower at strikes 00:00, it is the time of Iftar.

After the first beat, on the Beys mosque kandilji are lighted, and after that from Bijela Tabija, cannon which traditionally shoots, indicates the end of fasting for that day.

 

The Cathedral of Jesus' Heart (Bosnian/Croatian: Katedrala Srca Isusova) in Sarajevo, commonly referred as the Sarajevo Cathedral is the largest cathedral in Bosnia and Herzegovina. It is the seat of the Vrhbosanski Archbishop, currently Cardinal Vinko Puljić, and center of Catholic worship in the city. The Cathedral is located in the city's Old Town district.

The Cathedral of Jesus' Heart was built in honor of the Sacred Heart of Jesus, an important Catholic concept. Architect Josip Vancaš modeled it after the Notre-Dame de Paris using the neo-Gothic style and elements of Romanesque architecture. Work began on August 25, 1884, and was completed in the same month in 1889. The Bishop of Dubrovnik was present for the opening.

The building was damaged during the Siege of Sarajevo, but was not completely destroyed, and the damage has since been repaired. The building is often used as a symbol of the city: The design above the door to the Cathedral is part of the flag and seal of Sarajevo Canton and the Romanesque towers are featured on the flag and coat of arms of Sarajevo.

 

The Cathedral Church of the Nativity of the Theotokos (Serbian: Саборна Црква Рођења Пресвете Богородице or Saborna Crkva Rođenja Presvete Bogorodice) is the largest Serbian Orthodox church in Sarajevo and one of the largest in the Balkans.

The cathedral is dedicated to the nativity of the Theotokos. It was erected at the request of the Orthodox parish of Sarajevo between 1863-1868. The church is constructed as a three section basilica incribed in a cross shaped plan, and has five domes. The domes are build on the beams, the central one is much larger than the other four side domes. The church is arched by round elements. The small gilded baroque style belfry is built in front of the entrance. The interior walls are decorated by painted ornaments. In the lower zones of the walls the painted ornaments are simulating the marble stone construction look. Arches and vaults are decorated in ornaments only. In 1898 the Orthodox Metropolian Palace was built near the cathedral.

The head master for construction was Andreja Damjanov, a man from the great Damjanovi-Renzovski family of master builders, masons, painters, iconographers, carpenters and stonecutters from the village of Papradishte near Veles, Macedonia.